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|a 9781611683349
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|a eng
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|a 709.075 5
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|a Ward, Frazer.
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|a No innocent bystanders :
|b performance art and audience
|c Frazer Ward.
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|a New Hampshire :
|b Dartmouth College Press.
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|c C 2012.
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|a 1 vol. (205 p.) :
|b ill. ;
|c 24 cm.
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|a Interfaces, studies in visual culture
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|a Références bibliogr. p. 183-193. Index.
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|a P.01 -- Introduction: reimagining the audience -- P.27 -- Performance after minimalism: fantasies of public and private -- P.53 -- Acconci: "Public space is wishful thinking" -- P.81 -- Burden: "I'd set it up by telling a bunch of people, and that would make it Happen" -- P.109 -- Abramovi?: "You can stop. you don't have to do this." -- P.131 -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist
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|a "At a moment when performance art and performance generally are at the center of the international art world, Frazer Ward offers us insightful readings of major performance pieces by the likes of Acconci, Burden, Abramovi , and Hsieh, and confronts the twisting and troubled relationship that performance art has had with the spectator and the public sphere. Ward contends that the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience, in terms that suggest the collapse of notions like public and community"" - [Source : 4ème de couverture]
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| 600 |
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|3 035308028
|a Acconci, Vito,
|d 1940-2017
|3 028633067
|x Critique et interprétation
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| 600 |
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|3 071202021
|a Burden, Chris,
|d 1946-2015
|3 028633067
|x Critique et interprétation
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| 600 |
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|3 035055677
|a Abramović, Marina,
|d 1946-....
|3 028633067
|x Critique et interprétation
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| 600 |
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|3 145837874
|a Hsieh, Tehching,
|d 1950-...
|3 028633067
|x Critique et interprétation
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| 650 |
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|a Art de performance
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| 993 |
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|a Livre
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|a BC
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| 995 |
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|a 24939636X
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| 997 |
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|0 382138
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